Âé¶¹´«Ã½ÍøÕ¾

Special Exhibits

Salisbury

An Observer Observed: Fieldwork in Papua New Guinea

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This exhibition (on the 3rd floor), recently expanded by a donation, features objects and photographs relating to Richard Salisbury's fieldwork among the Siane of the Eastern Highlands of New Guinea and the Tolai of the Gazelle Peninsula of New Britain.

Richard Salisbury was a pioneer in developmental anthropology and one of the founders of the Department of Anthropology at Âé¶¹´«Ã½ÍøÕ¾.

In this display, we turn our gaze to the work of the anthropologist. What was fieldwork like in the 1950s? What was the anthropologist's relationship with communities? Field notes, photographs and objects give us clues to answer these questions.

New Exhibition: Gloria Algae. Marine Algae of Quebec by Marcelle Gauvreau

Little (re)known naturalist and botanist Marcelle Gauvreau worked to advance science, particularly through her research on local algae, and to popularise it among young people. Inspired by the few existing algae herbaria around the world, this artistic and scientific project, a collaboration between photographer Yves Lavoie and museologist and researcher Philippe Denis, pays tribute to her.

Presented jointly at the Redpath Museum (Montreal) and the (Grand-Métis), the exhibition aims to introduce visitors to this important scientific figure and to present a few specimens of local algae as a fun way to compensate for the impossibility of going to the beach to learn about algae harvesting and the creation of a algae collection, both sources of enthusiasm and knowledge.

From September 2 to October 18.

Temporary exhibition room, 2nd floor.

Prints / Imprints

Starting on November 21, 2023

Since the dawn of time, humans have liked to leave traces of their passage on Earth. Whether we're thinking of rock art, the monuments of vanished civilizations, or even the graffiti that adorns our modern cities, people leave footprints behind.

From November 21, a new showcase in the World Cultures gallery will present a selection of prints that are likely to be part of a series of works that have been hidden here and there in the Musée by a mystery artist, probably around the early 2010s. The staff, who occasionally find these works under display cases, behind furniture or in drawers in the museum galleries, have preserved the 25 works found so far.

What was the artist's purpose behind this? We may never know. But one thing's for sure: the artist has left his mark at the Musée, and our curiosity is well and truly piqued!

Å’uvre #5332

Dated 04/05/09

Artist: Unknown

Found: April 29, 2016. Under mineral case 10.

"From Shadow to Light: The Sun in Material Culture" and "Day and Night: Animal instinct during an eclipse"

Starting April 2024

Bottle with stirrup handle, Chimú*, Peru, RM1344, Donated by: T. B. Macauley, 1927.

Like us, were you impressed by the beauty of the total solar eclipse on 8 April? Then why not extend your amazement by visiting our two new showcases dedicated to this phenomenon? For the occasion, we've brought out of the shadows several objects that have never or rarely been exhibited. The selection of objects and specimens in the showcases is designed to highlight the importance of the Sun for both humans and animals. Learn more about the impact of eclipses on animal behaviour and the symbolic importance of the Sun throughout history and cultures.

Land Acknowledgement

Âé¶¹´«Ã½ÍøÕ¾ is on land which has long served as a site of meeting and exchange amongst Indigenous peoples, including the Haudenosaunee and Anishinabeg nations. We acknowledge and thank the diverse Indigenous peoples whose presence marks this territory on which peoples of the world now gather.


Rematriation, Repatriation and Restitution Statement

We acknowledge that the return and restitution of cultural and natural heritage to communities of origin is an essential part of reconciliation and of recognizing the fundamental rights of Indigenous Peoples. As part of wider efforts to activate the standards presented in the Canadian Museums Association Report Moved to Action: Activating UNDRIP in Canadian Museums (2022), the Redpath is working towards pro-active restitution practices. As per our Collections Management Policy (2024), repatriation requests will be received by the Redpath Museum Director and will be treated on a case-by-case basis.

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Accessibility

Please note that the Redpath Museum is not accessible to individuals using wheelchairs. There are no access ramps or elevators, and access to the upper floors is only possible via a central staircase. The exterior entrance, interior spaces, exhibition rooms, and restrooms are not adapted to meet universal accessibility standards. Additionally, the building is not air-conditioned. For more information, please refer to the .Ìý

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